Listen to your anxiety

People in my circles are emotionally literate. They share the general wisdom that we should listen to our bodies and lean into our emotions. We all get in our heads too much. Emotion is our heart’s attempt at telling us something. It’s important, and we should listen.

Not all emotions, though, seem to be treated equal. Sad or angry, we should accept. But if we’re feeling anxious, we should breathe, meditate, or take pills.

I’ve observed this difference with interest. What would happen if we treated anxiety not as a trick of our minds, to cure with better breathing techniques, but as a signal of something important, that our heart is trying to bring to consciousness?   

Over the past year or so, two similar situations prompted a peak of anxiety. On both occasions, I was invited to run a workshop at a digital conference. Organisers hyped up the marketing – it was going to be grandiose, mind-blowing, ground-breaking. It put pressure on me to do well, of course, and I didn’t mind that. But as a presenter, I had access to the backend, and could see what they weren’t doing.

Experience design was neglected. The team was focused on sleek marketing and putting bums on seats – or eyes on screens. Nobody seemed to think through the details of parallel engagement, break-out rooms, or managing different and unpredictable size groups. As a workshop facilitator, this is where my attention went. Online formats are demanding, and new. Smooth transitions between sessions, group size and matching, all those would be the make or break for participants. I knew that I was unlikely to match the promises made.

The first workshop was a minor bomb. Organisers suggested I design for 100 people. Six turned up. Five of them were friends and colleagues. Second one was a bigger bomb. People kept dropping in and out, cameras off. The technical support person let break-out rooms run for longer than I asked for. And to be frank, my content didn’t match the participants’ expectations or interest.

Looking back, I realise that both times, my anxiety was a clear signal that I should have anticipated disappointment – even pull out. I was placed in a position to keep the promises of shiny marketing, without the means to deliver. I was cast in the role, not of educating and exploring truth, but of keeping up appearances on behalf of someone else.  

I’ve been wondering since. What if anxiety was a fine-tuned antenna, signaling collective illusion? Lies create an image of the world distinct from what is true. When discourse is thus splitting representation from reality, we face a choice. Either we maintain the collective illusion, so we can stay connected with the people around. Or we stand up and insist that the emperor is naked, with the risk of finding ourselves ostracised and cast out.

Anxiety marks a fear about the future. Common wisdom says, ‘it’s not about the now, therefore it’s unreal’. Hence breathing and visualisation techniques. I propose a different diagnosis. Anxiety signals an impossible dilemma – a future-oriented double bind. A collective lie is spreading, and I have to choose between the group or the real. No matter what I decide, the future will be tough. It is wise to fear this future. And maybe, the collective call to chill out is nothing but peer-pressure to keep pretending.

Young people face this anxiety. This is precisely what Great Thunberg and the climate kids are shouting about. A refusal to maintain the collective lie that things will be fine. Old white men in boardrooms and corporate jobs face that same anxiety, but their choice to remain silent is too much a part of their identity to change now, unless everyone changes.

Whether we have a way forward is unsure. But maybe, just maybe, we should all start leaning into this pervasive anxiety. It will not solve our collective disconnection from the real, it will not solve climate issues right away, and it will certainly come with an amount of pain. But only by doing this can we collectively return to the real – and stand a chance of building something worthwhile together.

The fear of a rip in the real

When I tell people that I’m afraid of public speaking, my words are typically misinterpreted. I receive well-intentioned advice on breathing techniques and other meditation tricks. Worse, I get reassurance that I’m a really good public speaker

Delivering has never been a source of worry for me. Give me a stage and an audience, I will keep them entertained. No, the fear goes deeper.

From as long as I can remember – from our very first oral presentation at school – I was afraid, because I took public speaking seriously. Our teachers would tell us to address the class live, not read from a text. I was one of the few – if not the only one – to follow that advice, always. And I could observe the difference, in how much attention I attracted, by presenting something part-improvised on the spot.

It continues to this day: whether conferences, programs or special events, I rely on a few notes at most. Here is my theory: humans are predators. We sense fear. We smell blood. We look. If you walk on a stage without a text memorized – without an armour of pre-digested words – but alive and vulnerable – then all eyes will be on you. People will give you their attention. If you play it well, then you have a chance to be heard, and impactful. A polished discourse, by contrast, is only make believe.   

So, yes, the fear comes from taking a risk – the fear of bombing, ridicule, embarrassment, and status loss, which I expose myself to by insisting on a measure of ‘aliveness’.

More precisely, the fear is of seeming deranged, and the rejection that would follow. This is the downside of genuinely wanting attention, so that I get a shot at stretching perceptions, and rewiring the brains of your audience.

To do this meaningfully, the trick is to focus not on delivery, but content. What you say, not how you say it. And here, I believe, is where the core of the fear lies. The same fear shadows my editorial work. It stems from taking language seriously.

The Chinese tradition distinguishes the feelings of fear and worry.

Worry, associated to the element Earth, is what you feel when you place a seed in the ground, and wait for it to grow. It is what you feel when your child is at school, your husband abroad, or whenever things must happen that are beyond your control.

Fear is associated with Water. It is about excess and brutal danger. It is a flooding river suddenly breaking the dyke, and wiping off in a moment the work of centuries. It is a release of tension, forces greater than the human unleashing over us. It is visions of horror. 

Language holds humanity together. It is the medium that holds our social worlds, by shaping the stories and beliefs that guide our day to day decisions. Mess with it too much, and who knows what chaos will ensure. Revolutions all started with a speech.

We’re at a crossroads of history. We must urgently shift our paradigm, develop new myths and beliefs to guide our day to day decisions. We must work on minds and hearts. Language is an ideal tool to that end. But not an entirely safe one.

My work, as a writer, speaker or editor, is to rewire brains: separate concepts and ideas, bring others together, associating them with new emotions, to build new pathways connecting different planes of reality. And as I try to do that, I fear that, unwittingly, I might create a rip in the fabric of our common world, disturb old forces, and unleash a demon.